The Filmmaking Stuff Podcast
1) Completion Bonds Explained: What Filmmakers Need to Know
In this episode, we break down what a completion bond is, what it guarantees, and whether indie filmmakers actually need one. Learn how to protect your investors, avoid wasting budget, and keep more m...Show More
2) H.264 vs ProRes 422 — What Filmmakers Need to Know
When it comes to exporting your film, not all codecs are created equal. In this episode, I break down the difference between H.264 and ProRes 422 (and 4444)—which one to use for online, and which one ...Show More
3) Producer Credit Hierarchy Explained
Think you can be both Executive Producer and Producer on the same film? Think again. In this episode, Tom Malloy breaks down how the producer credit hierarchy really works — from “Produced by” to “Ass...Show More
4) Which Film Festivals Actually Help You Sell Your Movie
Most filmmakers assume film festivals are where the deals happen — but the truth is, only a select few festivals actually help you sell your movie. In this episode, I break down the handful of A+ fest...Show More
5) The Biggest Pitch Meeting Mistake Filmmakers Keep Making
Every filmmaker thinks they’re great in meetings—until they lose a buyer’s attention.In this episode, I break down the #1 mistake indie filmmakers make in pitch and sales meetings: talking too long.Le...Show More
6) Deliverables Demystified: How to Prep Your Film for Distribution
In this episode, I break down the real film deliverables distributors and sales agents expect. Forget the outdated “wish list” and focus on the essentials: ProRes 422 masters, DME tracks, captions, st...Show More
7) The Producer’s Rep Debate: Then vs. Now in Indie Film
Do filmmakers still need a Producer’s Rep?We break down the history of producers reps, why they mattered in the 90s, and how direct access to acquisitions execs at markets like AFM, EFM, and Cannes ha...Show More
8) Film Set Secrets: When Working for Free Makes Sense
Should you work for free as a PA? In this episode, I share why early set experience can be more valuable than the paycheck, how to approach those first jobs strategically, and when to start demanding ...Show More
9) Minimum Guarantees in Film: Advance or Illusion?
What’s the truth about minimum guarantees in film distribution? In this episode, we break down why MGs are really just advances, why small MGs can hurt your film with bad terms, and why revenue splits...Show More
10) The Truth About Streaming Platforms for Indie Films
What are the best—and worst—streaming platforms for indie films right now? In this episode, I share real-world data from my distribution company to reveal where indie films actually make money. From A...Show More