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TV & Film

The Next Picture Show

Filmspotting | Panoply

A biweekly roundtable by the former editorial team of The Dissolve examining how classic films inspire and inform modern movies. Episodes take a deep dive into a classic film and its legacy in the first half, then compare and contrast that film with ...Show More

56:39 | May 30th, 2017

Inspired by the less-than-inspiring new BAYWATCH movie, we consider the strange alchemy that is the cheesy-TV-show-to-feature-film adaptation, via one of the genre’s standout entries: Betty Thomas’ 1995 spoof THE BRADY BUNCH MOVIE. In this half of th...Show More

1:02:49 | Sep 3rd

A few decades and a whole industry removed from Barbara Kopple’s HARLAN COUNTY, USA, Steven Bognar and Julia Reichert’s AMERICAN FACTORY is an entertaining yet dispiriting illustration of how much working conditions, labor relations, and blue-collar ...Show More

57:01 | Aug 27th

The new Netflix documentary AMERICAN FACTORY is funnier than Barbara Kopple’s 1976 Oscar-winning documentary HARLAN COUNTY USA, and not nearly as fraught with violence, but it pivots on many of the same core tensions between workers and corporate bos...Show More

1:06:46 | Aug 20th

Quentin Tarantino’s ONCE UPON A TIME IN HOLLYWOOD looks back at 1969 Hollywood from a 2019 vantage point, where Hal Ashby’s 1975 satire SHAMPOO examines that same era from a much closer distance, but the two films share a funny but bittersweet outloo...Show More

44:07 | Aug 13th

Quentin Tarantino’s ONCE UPON A TIME… IN HOLLYWOOD filters its wistful look at the end of an era through the lens of a real historical event (albeit one altered for the film), an approach that mirrors the one taken by director Hal Ashby and star/co-w...Show More

1:03:39 | Aug 6th

Riley Stearns’ new dark comedy THE ART OF SELF-DEFENSE centers on an underground scene of fighters who engage in their own version of the transgressive tactics Tyler Durden plays with in 1999’s FIGHT CLUB, but both films are ultimately about the cath...Show More

59:22 | Jul 31st

We’re looking at two films featuring underground fight clubs, secret identities, and male protagonists trying to reclaim their self-worth through violence, beginning with David Fincher’s FIGHT CLUB, which traffics in many of the same themes as Riley ...Show More

55:48 | Jul 16th

Our look at musical films that willfully straddle the line between fact and fiction brings in Martin Scorsese’s newest effort for Netflix, ROLLING THUNDER REVUE: A BOB DYLAN STORY, to see how it applies that MO to a documentary format, where Todd Hay...Show More

53:18 | Jul 9th

Martin Scorsese’s new ROLLING THUNDER REVUE takes a documentary-esque approach to Bob Dylan’s titular 1970s tour-slash-roadshow, blending fact and fiction in a manner reminiscent of Todd Haynes’ 1998 cult favorite VELVET GOLDMINE, which creates a sim...Show More

1:08:42 | Jul 2nd

What went wrong with F. Gary Gray’s attempt to revive a franchise with MEN IN BLACK: INTERNATIONAL? There are many answers to that question, which we dig into this week, but a lot of the DOA sequel’s problems can be traced directly back to the succes...Show More

57:04 | Jun 25th

The lackluster new MEN IN BLACK: INTERNATIONAL has failed to rekindle much interest in the action-comedy franchise — more on that in the next episode — which makes the 1997 blockbuster from which it stems seem like even more of a miracle in hindsight...Show More

1:07:29 | Jun 18th

The new GODZILLA: KING OF THE MONSTERS looks and acts a lot more like one of the other recent entries in Warner Bros’ “Monsterverse” than it does the classic creature features inspired by the original GODZILLA, but it also consciously echoes Ishiro H...Show More

58:29 | Jun 11th

The new CGI spectacle GODZILLA: KING OF THE MONSTERS further extends the longest running film franchise in history, but it’s a far cry (roar?) from the 1954 film that first set this fire-breathing, city-flattening phenomenon in motion. So this week w...Show More

58:39 | Jun 4th

We return again to the deadly streets of the Big Apple at night to discuss Chad Stahelski’s latest entry in the JOHN WICK franchise, CHAPTER 3—PARABELLUM, and its place in the action pantheon alongside Walter Hill’s 1979 cult classic THE WARRIORS. Af...Show More

54:30 | May 28th

The latest chapter in the JOHN WICK saga, the new PARABELLUM, follows its assassin hero on a long perilous journey through hostile territory, a setup that brought to mind Walter Hill’s controversial hit turned cult classic THE WARRIORS. In this half ...Show More

1:15:49 | May 21st

It’s rare for a rom-com to situate itself firmly in the realm of contemporary American politics, which makes Jonathan Levin’s new Charlize Theron and Seth Rogen-starring LONG SHOT feel in many ways like a spiritual sequel to 1995’s THE AMERICAN PRESI...Show More

58:19 | May 14th

The new Charlize Theron/Seth Rogan rom-com LONG SHOT looks for comedy at the intersection of love and the highest tier of American politics, an unusual combination that positions it as a spiritual successor to an earlier, much more earnest portrayal ...Show More

1:03:47 | May 7th

David Robert Mitchell’s wandering, shaggy, endlessly referential UNDER THE SILVER LAKE isn’t nearly as tightly plotted as Roman Polanski’s CHINATOWN, one of its many cinematic reference points, but it’s just as stark and cynical about both human natu...Show More

59:18 | Apr 30th

In David Robert Mitchell’s new UNDER THE SILVER LAKE, every clue leads deeper down a rabbit hole toward an endpoint that doesn’t seem to have anything to do with the beginning point. In a film as referential as Mitchell’s, that structure seems purpos...Show More

58:41 | Apr 23rd

The new superhero movie SHAZAM owes such a debt to Penny Marshall’s weird and whimsical 1988 comedy BIG that it includes a giant piano as an homage, but the connections between these two wish-fulfillment fantasies go beyond their shared premises. Aft...Show More

1:02:33 | Apr 16th

The new SHAZAM, about a 14-year-old kid granted the power of becoming a grown-up superhero, openly acknowledges the debt it owes to Penny Marshall’s 1988 breakthrough BIG, which made a potent comic fantasy out of what adolescents imagine adulthood to...Show More

1:06:51 | Apr 9th

Our pairing of devious doppelgängers arrives at Jordan Peele’s new US, which brings into 2019 some of the same themes of paranoia and dread seen in one of its many predecessors, Philip Kaufman’s INVASION OF THE BODY SNATCHERS. After comparing our rea...Show More

58:20 | Apr 2nd

Jordan Peele’s new US extends a long history of horror stories that use doppelgängers to explore identity, one that includes as a cornerstone Philip Kaufman’s 1978 adaptation of INVASION OF THE BODY SNATCHERS. This episode we delve into the film’s ee...Show More

1:06:26 | Mar 26th

Our pairing of sci-fi action films with a side of meditation on memory and identity brings in the new CAPTAIN MARVEL to see how Carol Danvers’ journey of lost and reclaimed memories looks next to the very different (and much bloodier) journey taken b...Show More

48:09 | Mar 19th

The newest MCU entry CAPTAIN MARVEL is, among other things, an action-packed science-fiction film that’s also interested in the question of how memory relates to identity. That, plus the film’s 1990s setting, put us in mind of another cosmic blockbus...Show More

1:08:56 | Mar 12th

Like WHITE MEN CAN’T JUMP, Steven Soderbergh’s new Netflix digital experiment HIGH FLYING BIRD looks at what it takes for talented basketball players to survive outside of the professional leagues, with a high-stakes corporate heist in place of that ...Show More

1:01:53 | Mar 5th

Steven Soderbergh’s new quick-and-dirty Netflix film HIGH FLYING BIRD follows a basketball agent’s bold attempt to work outside the dictates of a professional league, a hustle that calls to mind the Venice Beach street-ball scene of Ron Shelton’s 199...Show More

1:04:24 | Feb 26th

Like Roger Corman’s A BUCKET OF BLOOD, the new Netflix release VELVET BUZZSAW, director Dan Gilroy’s follow-up to NIGHTCRAWLER, presents as an art-world satire wrapped around the bones of a horror movie, though it doesn’t deliver on the horror elemen...Show More

51:07 | Feb 19th

Inspired by Dan Gilroy’s new VELVET BUZZSAW — and a listener suggestion — we’re looking back this week at another darkly humorous tweaking of the destructive world of high art and those who inhabit it: Roger Corman’s 1959 low-budget horror-comedy A B...Show More

1:03:14 | Feb 12th

Chris Smith’s new Netflix doc FYRE tells the story of huckster Billy McFarland and his doomed Fyre Festival as a compelling piece of meat-and-potatoes journalism that’s far from the verité of Smith’s portrait of Mark Borchardt in 1999’s AMERICAN MOVI...Show More

51:33 | Feb 5th

The new Netflix documentary FYRE: THE GREATEST PARTY THAT NEVER HAPPENEDfinds director Chris Smith returning to a character type that defined his 1999 Sundance breakout AMERICAN MOVIE: the charismatic dreamer who overpromises and under-delivers. In A...Show More

1:12:20 | Jan 29th

The evolution of a divisive auteur.We return once more to the Shyamalaniverse to dig into the culmination of the so-called Eastrail 177 trilogy, the new GLASS, which purports to be the thrilling conclusion of a story that began with 2000’s UNBREAKABL...Show More

57:37 | Jan 22nd

With M. Night Shyamalan’s new GLASS purporting to be the culmination of his so-called Eastrail 177 trilogy, we’re returning to the film that set it in motion, and that many rank among the divisive writer-director’s best: UNBREAKABLE. How does this br...Show More

1:08:54 | Jan 1st

The remarkable new animated film SPIDER-MAN: INTO THE SPIDERVERSE has us thwipping through the beloved web-slinger’s cinematic history to see how it culminated in a Miles Morales origin story that doubles as a giddy trip through Spidey-lore. After so...Show More

54:52 | Dec 25th, 2018

Spider-Man, the web-slinging comics creation of Stan Lee and Steve Ditko, has made the leap to movie screens many times, but arguably never as successfully as in Sam Raimi’s 2004 sequel SPIDER-MAN 2 — or, perhaps, in the new animated entry INTO THE S...Show More

1:05:31 | Dec 18th, 2018

Our trip through Girl World makes its second stop with Yorgos Lanthimos’ new period piece THE FAVOURITE, to see how its portrayal of women battling for social advantage in Queen Anne’s court looks next to the more contemporary high-school machination...Show More

52:35 | Dec 11th, 2018

Yorgos Lanthimos’ THE FAVOURITE is, in the words of star Rachel Weisz, a bit like a “high-stakes MEAN GIRLS”: It’s the story of a woman in power challenged by a fresh young outsider, only it plays out in the halls of court rather than the halls of a ...Show More

1:10:26 | Dec 4th, 2018

We return to the City of Big Shoulders circa the present day for a discussion of Steve McQueen's thrilling new WIDOWS, a Chicago-set heist movie that builds on a foundation of urban corruption in a manner reminiscent of Michael Mann's 1981 debut THIE...Show More

57:51 | Nov 27th, 2018

Director Steve McQueen’s new thriller WIDOWS is a Chicago-set heist film that puts to good use the city’s notorious corruption, which puts it in the company of Michael Mann’s stylish 1981 feature debut THIEF. In this half of our Windy City-centric pa...Show More

50:57 | Nov 20th, 2018

A landmark first feature shot in the 90s but never seen until now.Where Orson Welles' THE OTHER SIDE OF THE WIND is the story of a movie finished years after its director let it go, Sandi Tan’s new SHIRKERS is the story of a film its director could n...Show More

53:38 | Nov 13th, 2018

Orson Welles' final film is finally finished. We’re switching things up this week to look at a pair of new films that are also old films — sort of — which together show that while making movies is always hard, some are harder than others. Orson Welle...Show More

1:22:26 | Nov 6th, 2018

Bradley Cooper’s debut directorial feature A STAR IS BORN is the fourth film to bear that title, and the second to translate this Hollywood tale of rising and falling fame to the music industry. And much like George Cukor’s 1954 version starring Judy...Show More

1:07:07 | Oct 30th, 2018

Bradley Cooper’s new A STAR IS BORN remake is a current-day spin on a Hollywood fable that’s been around since the 1930s, about a struggling male star and the young ingenue he pushes toward fame. But its music-industry setting makes it a particularly...Show More

58:22 | Oct 23rd, 2018

Robert Redford says that his starring role in David Lowery’s new THE OLD MAN AND THE GUN will be his final film performance, and if that turns out to be the case, it is in many ways an ideal bookend to Redford’s breakout role in the classic 1969 West...Show More

51:55 | Oct 16th, 2018

David Lowery’s new THE OLD MAN AND THE GUN draws purposely and purposefully on the legacy of Robert Redford, which makes it a perfect bookend to Redford’s star-making turn in George Roy Hill’s elegiac 1969 blockbuster BUTCH CASSIDY AND THE SUNDANCE K...Show More

57:48 | Oct 9th, 2018

Is FAHRENHEIT 11/9, Michael Moore’s latest essay-film about the state of the nation under Trump, a natural extension of the techniques used in his 1989 debut ROGER & ME, or a worst-case-scenario evolution of Moore’s filmmaking style? We try to wrap o...Show More

51:18 | Oct 2nd, 2018

With Michael Moore’s latest provocation, FAHRENHEIT 11/9, in theaters, we’re returning to the liberal gadfly’s cinematic origins: 1989’s ROGER & ME, a first-person documentary about the declining fortunes of Moore’s hometown of Flint, Michigan, which...Show More

1:13:37 | Sep 11th, 2018

Though BLACKKKLANSMAN is, like MALCOLM X, drawn from real life, Spike Lee’s newest film takes more liberties in telling its ostensibly true story (something that’s drawn criticism from some corners). And also like MALCOLM X, it’s a film set in the pa...Show More

1:01:43 | Sep 4th, 2018

Spike Lee’s new BLACKKKLANSMAN is an urgent call to look to the past to understand the present, an approach it shares with many of Lee’s films, though perhaps none as strongly as his 1992 epic biopic MALCOLM X. The films revisit two different chapter...Show More

1:04:10 | Aug 28th, 2018

Jon Turteltaub’s new late-summer sharkstravaganza THE MEG isn’t shy about the debt it owes to Steven Spielberg’s JAWS, nor about its clear conception as an international co-production partially aimed at the Chinese market. We discuss whether those qu...Show More

51:36 | Aug 21st, 2018

The new Jason Statham late-summer vehicle THE MEG, like so many middling shark movies before it, can trace its lineage directly to the 1975 film that made us afraid to go into the water: Steven Spielberg’s JAWS. In this half of our sharktastic discus...Show More

1:06:36 | Aug 14th, 2018

With its latest entry FALLOUT, the MISSION: IMPOSSIBLE franchise has solidified its evolution from the spy thriller Brian De Palma made in 1996 into the setpiece-centric, Tom Cruise-endangering action series we know it as today. In this half of our f...Show More

57:06 | Aug 7th, 2018

The new MISSION: IMPOSSIBLE — FALLOUT is the latest entry in a franchise that’s become a showpiece for Tom Cruise-endangering stunts and practical effects, but the surprisingly enduring action series began as something more akin to a spy thriller bui...Show More

1:03:47 | Jul 31st, 2018

As with Robert Downey Sr.’s 1969 satirical oddity PUTNEY SWOPE, there’s a lot going on in Boots Riley’s new SORRY TO BOTHER YOU, which takes a similar anything-goes approach to the intersection of race and capitalism. In the second part of our “white...Show More

53:45 | Jul 24th, 2018

Rapper-director Boots Riley has said he hadn’t seen Robert Downey Sr.’s 1969 satirical comedy PUTNEY SWOPE when he made the buzzy new SORRY TO BOTHER YOU, but the films share so much on both a surface level (white men providing the literal voices of ...Show More

1:02:16 | Jul 17th, 2018

Ari Aster’s debut feature HEREDITARY carries over the themes of grief, guilt, and extrasensory perception found in Nicolas Roeg’s 1973 shocker DON’T LOOK NOW, another emotionally grueling story about parents wrestling with loss. After discussing our ...Show More

49:07 | Jul 10th, 2018

Ari Aster’s breakout debut HEREDITARY draws on a fair number of horror touchpoints, but it’s linked by its themes of parental grief and psychic distress to another terrifying film about the lingering impact of a death in the family: Nicolas Roeg’s fo...Show More

1:07:54 | Jun 28th, 2018

On the surface, Brad Bird’s new animated family adventure INCREDIBLES 2 wouldn’t seem to have a lot in common with Guy Hamilton’s swingin’ 1964 James Bond entry GOLDFINGER, but superhero films and spy movies are actually pretty closely thematically r...Show More

57:13 | Jun 26th, 2018

This week on the podcast, it’s supervillains, secretive heroes, and slippery schemes as we pair Brad Bird’s new, long-delayed INCREDIBLES 2 with arguably the best iteration of one of Bird’s oft-cited reference points — James Bond — the third film in ...Show More

1:00:22 | Jun 14th, 2018

Our examination of Paul Schrader’s fixation with “God’s Lonely Man” continues with the critic-turned-screenwriter-turned-director’s 20th film, the searing and excellent FIRST REFORMED, which shares more in common with the Schrader-scripted TAXI DRIVE...Show More

56:15 | Jun 12th, 2018

Paul Schrader’s excellent, difficult new film FIRST REFORMED inspires us to travel back to Schrader’s first screenwriting collaboration with Martin Scorsese and grapple with TAXI DRIVER, to see how Schrader’s vision of “God’s Lonely Man” first graced...Show More

1:01:40 | May 31st, 2018

In part two of our comparison of two part twos, we dig into the meta magic that animates both GREMLINS 2 and DEADPOOL 2 (and get a little meta ourselves in the process). After discussing what works and doesn’t in DEADPOOL 2, a film with a lot that wo...Show More

58:10 | May 29th, 2018

The new DEADPOOL 2 shares a self-aware sensibility and anarchic spirit with Joe Dante’s GREMLINS 2: THE NEW BATCH, which saw the director returning reluctantly to the franchise and wreaking havoc on everything that had made it a hit, up to and includ...Show More

1:12:03 | May 17th, 2018

AVENGERS: INFINITY WAR is the culmination of a decade of Marvel moviemaking, but much of the mechanics of this massive superteam machine can be traced back further, to what was once the biggest teamup of the modern superhero era, 2002’s X2: X-MEN UNI...Show More

58:17 | May 15th, 2018

The Russo Brothers’ new, massive AVENGERS: INFINITY WAR may exist in a different cinematic universe than Bryan Singer’s 2003 sequel X2: X-MEN UNITED, but the two films use a lot of the same tricks to bring Marvel's four-color heroes to a live-action ...Show More

49:37 | May 3rd, 2018

Chloe Zhao’s THE RIDER’s naturalistic synthesis of documentary and narrative has some roots in Abbas Kiarostami’s 1990 Iranian classic CLOSE-UP, but with a very different story to tell, about a very different part of the world. After discussing what ...Show More

44:01 | May 1st, 2018

Chloe Zhao’s new THE RIDER lives in the space between the real world and a fictional world that was memorably carved out by Abbas Kiarostami’s 1990 classic CLOSE-UP, which blends documentary and narrative to find a third approach that draws on the st...Show More

1:07:31 | Apr 19th, 2018

We continue our examination of stop-motion animals conspiring to escape captivity by bringing in ISLE OF DOGS, Wes Anderson’s new Japan-set homage/provocation, to see how it stacks up against Aardman Animations’ 2000 feature CHICKEN RUN. After weighi...Show More

1:01:45 | Apr 17th, 2018

Is there such a thing as “auteurist animation”? That’s a question that unites this week’s pairing, which looks at two highly collaborative stop-motion animated films that nonetheless bear the fingerprints of a singular filmmaking presence: Wes Anders...Show More

1:06:33 | Apr 5th, 2018

Steven Lisberger’s groundbreaking live-action Disney film TRON is one of the few 1980s properties that doesn’t get explicitly referenced in Steven Spielberg’s new adaptation of Ernest Cline’s novel READY PLAYER ONE, but the earlier film makes up a si...Show More

1:03:03 | Apr 3rd, 2018

Steven Spielberg’s new READY PLAYER ONE turns videogaming into both a fantasy adventure and a meta-narrative about adventure fantasies, a premise that feels directly inspired — and given Ernest Cline’s source novel, almost certainly is — by Steven Li...Show More

53:43 | Mar 22nd, 2018

Like H.G. Clouzot’s DIABOLIQUE, Cory Finley’s directorial debut THOROUGHBREDS develops around a plot between two women who enter into a pact to murder a purely malevolent man, but to much different effect. After discussing our reactions to THOROUGHBR...Show More

49:08 | Mar 20th, 2018

Cory Finley’s stylish directorial debut THOROUGHBREDS follows an unlikely pairing of women as they endeavor to kill a domineering man in their life, a setup reminiscent of H.G. Clouzot’s classic 1955 shocker DIABOLIQUE, which took that premise and th...Show More

1:00:32 | Mar 8th, 2018

We take another science-fiction-adjacent journey into the unknown via Alex Garland’s new ANNIHILATION, a distinctive cinematic vision that nonetheless calls back to Andrei Tarkovsky’s 1979 film STALKER in terms of its structure and filmmaking — if no...Show More

56:46 | Mar 6th, 2018

Alex Garland’s new ANNIHILATION is a loose adaptation of a novel, but its premise, themes, and style give it just as strong a connection to Andrei Tarkovsky’s 1979 philosophical science fiction film STALKER. In this half of the pairing, we venture in...Show More

56:54 | Feb 22nd, 2018

We return to the deep, dark waters of the id to unpack what SHAPE OF WATER director Guillermo Del Toro saw in Jack Arnold’s 1954 horror-sci-fi classic CREATURE FROM THE BLACK LAGOON that inspired him to literalize a relationship between a woman and a...Show More

51:01 | Feb 20th, 2018

Guillermo Del Toro has made clear that his new THE SHAPE OF WATER stems directly from his obsession with 1954’s THE CREATURE FROM THE BLACK LAGOON, and his desire to see the “romance” between the monster and leading lady work out. We unpack that desi...Show More

55:00 | Feb 8th, 2018

David Wain’s new A FUTILE AND STUPID GESTURE brings the deconstructive spirit of his cult comedy classic WET HOT AMERICAN SUMMER to the biopic formula, putting a meta, self-aware spin on the story of Doug Kenney, co-founder of The National Lampoon. A...Show More

53:44 | Feb 6th, 2018

David Wain’s new biopic spoof A FUTILE AND STUPID GESTURE had a pretty ignominious Netflix debut, but that seems in keeping with the comedic director’s history of films that are unappreciated in their time but grow a cult following — a history that w...Show More

1:10:48 | Jan 25th, 2018

With PHANTOM THREAD, Paul Thomas Anderson has repurposed REBECCA to his own ends, telling a personal story that’s unique from the original yet still resonates with echoes of Hitchcock’s gothic romance. We tug at the many threads Anderson has woven th...Show More

51:40 | Jan 23rd, 2018

Paul Thomas Anderson has made it clear that his new PHANTOM THREAD is a purposeful riff on Alfred Hitchcock’s 1940 Best Picture winner REBECCA, inspiring us to return to Manderley for a reflection on the film that brought Hitchcock to Hollywood (and ...Show More

1:13:43 | Jan 11th, 2018

Like Gus Van Sant’s TO DIE FOR, Craig Gillespie’s new I, TONYA takes a light, playful tone with a lot of ugly events, an approach that’s earned it acclaim and some criticism, particularly for its treatment of domestic violence. We talk over our react...Show More

1:03:38 | Jan 9th, 2018

Craig Gillespie’s crowd-pleasing new I, TONYA features a tragicomic tone, a genesis in tabloid true-crime, and an abundance of style, all qualities it shares with Gus Van Sant’s 1995 mockumentary TO DIE FOR, starring an ascendant Nicole Kidman. In th...Show More

1:02:07 | Dec 28th, 2017

We return to the consideration of pleasure and heartbreak under the Italian sun via Luca Guadagnino’s sensual new romance CALL ME BY YOUR NAME, a film with a very different narrative than THE TALENTED MR. RIPLEY that nonetheless shares some of its ma...Show More

52:37 | Dec 26th, 2017

The new CALL ME BY YOUR NAME’s gorgeous invocation of Italian summers and repressed desire brought to mind an earlier film that does the same, though to much darker ends: Anthony Minghella’s 1999 film THE TALENTED MR. RIPLEY, starring top-of-their-ga...Show More

1:07:00 | Dec 14th, 2017

Our so-bad-it’s-good moviemaking double feature continues with a new film from James Franco that channels the spirit of Tim Burton’s ED WOOD: THE DISASTER ARTIST, about the tortured making of Tommy Wiseau’s cult hit THE ROOM. We discuss the new film ...Show More

54:36 | Dec 12th, 2017

Inspired by James Franco’s new THE DISASTER ARTIST, we look back at another movie about bad movies and the people who make them, Tim Burton’s 1994 comic biodrama ED WOOD. In this half of our discussion, we muse on the motivations driving Wood and Bur...Show More

1:05:09 | Nov 30th, 2017

Following our visit to David Mamet’s STATE AND MAIN, we head to another small town for a different sort of redemption tale: Martin McDonagh’s THREE BILLBOARDS OUTSIDE EBBING, MISSOURI. While the two films may not have a whole lot of overlap in terms ...Show More

1:02:59 | Nov 28th, 2017

Inspired by Martin McDonagh’s new pitch-black comedy THREE BILLBOARDS OUTSIDE EBBING, MISSOURI, we look back at another playwright-driven film about redemption set in a small town populated by a colorful ensemble: David Mamet’s 2000 comedy STATE AND ...Show More

59:45 | Nov 16th, 2017

We return to the dawn of the millennium to discuss Greta Gerwig’s new solo directorial debut LADY BIRD, and how it echoes the sardonic coming-of-age comedy that characterizes Terry Zwigoff’s GHOST WORLD. After parsing our individual reactions to and ...Show More

1:02:44 | Nov 14th, 2017

Greta Gerwig’s fantastic directorial debut LADY BIRD is set in 2002, when its protagonist might have recognized a contemporary kindred spirit in Enid, the protagonist of Terry Zwigoff’s 2001 coming-of-age comedy GHOST WORLD: Both characters are creat...Show More

1:04:07 | Nov 2nd, 2017

Noah Baumbach’s new THE MEYEROWITZ STORIES (NEW AND SELECTED), starring Dustin Hoffman, has some strong connections to Hoffman’s star-making role in Mike Nichols’ THE GRADUATE, in particular, its depiction of generations trying to escape one another....Show More

57:36 | Oct 31st, 2017

Noah Baumbach’s new THE MEYEROWITZ STORIES casts Dustin Hoffman on one side of a generational divide, which naturally brings to mind Hoffman’s breakout role as a character on the other side of that generation divide: Mike Nichols’ seminal 1967 comedy...Show More

1:09:07 | Oct 19th, 2017

Our consideration of Blade Running through the decades continues with a discussion of Denis Villeneuve’s new BLADE RUNNER 2049, which picks up several of the threads left dangling by Ridley Scott’s BLADE RUNNER and adds a few more of its own in the p...Show More

1:01:17 | Oct 17th, 2017

Denis Villeneuve’s new sequel BLADE RUNNER 2049 made an inauspicious debut with audiences and critics alike when it opened, something it shares with its predecessor and inspiration, Ridley Scott’s 1982 sci-fi noir touchstone BLADE RUNNER. Will the ne...Show More

59:42 | Oct 5th, 2017

We return to the realm of societal allegory in our examination of Darren Aronofsky’s divisive horror-comedy-whatsit MOTHER! and how it relates to Luis Buńuel’s 1962 surrealist satire THE EXTERMINATING ANGEL, a film Aronofsky has cited as direct inspi...Show More

51:02 | Oct 3rd, 2017

In Darren Aronofsky’s MOTHER!, Jennifer Lawrence is stuck in a creepy old estate while a series of bizarre, inexplicable events drive her to the brink of madness — a premise and tone that’s surprisingly similar to the surreal black comedy of Luis Buñ...Show More

59:28 | Sep 21st, 2017

We return to the realm of Stephen King adaptations for a first-impressions review of the new IT, whose vision of 1980s childhood camaraderie and adventure shares a lot with STAND BY ME’s vision of 1950s childhood camaraderie and adventure — only with...Show More

59:05 | Sep 19th, 2017

On the surface, Andy Muschietti’s new adaptation of Stephen King’s IT is about a scary clown and fear itself, but beyond that, it’s also about friendship, nostalgia, and the moment when childhood ends — themes it shares with another of the better cin...Show More

57:33 | Sep 7th, 2017

For the second half our gentleman-thieves pairing, we bring LOGAN LUCKY into the discussion, to see how it fits into the reliably eclectic filmography of Steven Soderbergh, and how it stands up to its clear forebear within that filmography, 2001’s OC...Show More

1:00:45 | Sep 5th, 2017

Steven Soderbergh’s recent return to feature filmmaking, LOGAN LUCKY, has drawn comparisons to the director’s 2001 smash hit OCEAN’S ELEVEN, and not without good reason: The two crowd-pleasing heist films share a lot in terms of their structure, team...Show More

55:57 | Aug 24th, 2017

Like Gillo Pontecorvo’s BATTLE OF ALGIERS, Kathryn Bigalow’s new film DETROIT expresses a strong point of view on racial injustice through a careful recreation of a real historical event — and also like BATTLE OF ALGIERS, it’s stirred up some controv...Show More

54:28 | Aug 22nd, 2017

Kathryn Bigelow’s intense, controversial new docu-drama DETROIT owes no small debt to Gillo Pontecorvo’s intense, controversial 1966 film THE BATTLE OF ALGIERS, which covers another volatile historical moment with a potent mixture of newsreel-style r...Show More

56:19 | Aug 10th, 2017

We return to the PLANET OF THE APES series to see how it’s evolved from the 1968 original to Matt Reeves’ stunning new WAR FOR THE PLANET OF THE APES. After discussing why the new trilogy, and WAR in particular, works so well in the current era, we e...Show More

42:57 | Aug 8th, 2017

This week, we’re exploring two films from the opposite ends of the same ape-filled franchise. First, we focus on the cry of “YOU MANIACS” heard ’round the world, 1968’s PLANET OF THE APES, which introduced a fruitful concept that would continue evolv...Show More

1:07:39 | Jul 27th, 2017

We return to a plane somewhere between life and death (and between horror and drama) to discuss David Lowery’s new A GHOST STORY, both on its own and in the context of Herk Harvey’s similar haunting and genre-defying CARNIVAL OF SOULS. We talk over h...Show More

53:08 | Jul 25th, 2017

Inspired by David Lowery’s new A GHOST STORY, we’re looking back at another microbudget horror-drama that’s haunting in both the literal and puntastic sense: Herk Harvey’s creepy cult hit CARNIVAL OF SOULS, a 1962 oddity about a woman trapped somewhe...Show More

54:50 | Jul 13th, 2017

Bong-Joon Ho’s new Netflix release OKJA has some commonalities with Chris Noonan’s 1995 family film BABE — beyond just a porcine protagonist — but it’s a decidedly different animal. In this half of the discussion, we talk over the odd beast that is O...Show More

56:18 | Jul 11th, 2017

Inspired by Bong Joon-ho’s new OKJA, we look back at another whimsical fantasy film about a super-pig and its human, albeit one of a decidedly different breed: BABE, Christopher Noonan’s 1995 family hit about a taciturn farmer and his innocent sheep-...Show More

1:00:50 | Jun 29th, 2017

We return to matters of isolation and paranoia in the second half of our comparison of John Carpenter’s THE THING with Trey Edward Shults’ new horror-drama IT COMES AT NIGHT. After debating IT COMES AT NIGHT’s difficult ending and almost perverse com...Show More

49:31 | Jun 27th, 2017

Trey Edward Shults’ new IT COMES AS NIGHT takes as one of its influences John Carpenter’s 1982 bloody masterpiece THE THING, which is as good a reason as any to revisit one of our favorite genre films. In this half of the discussion, we geek out over...Show More

56:20 | Jun 15th, 2017

We return to the battlefields of WWI to talk over Patty Jenkins’ new WONDER WOMAN, both on its own and as it relates to Stanley Kubrick’s PATHS OF GLORY. After discussing what worked and didn’t work in WONDER WOMAN, we bring in the Kubrick film to di...Show More

58:37 | Jun 13th, 2017

Patty Jenkins’ new WONDER WOMAN takes World War I as its setting, opening up a host of comparisons to a much earlier, much different cinematic vision that looks to the Great War to uncover the best and worst of humanity: Stanley Kubrick’s 1957 anti-w...Show More

1:04:33 | Jun 1st, 2017

We brave the choppy comedic waters of the new BAYWATCH movie to see how it stacks up against the parodic TV-to-film genius of 1995’s THE BRADY BUNCH MOVIE. Spoiler: Not well. But the comparison allows us to unpack the nuances of each film’s comedic a...Show More

52:36 | May 18th, 2017

In this half of our appreciation of the late, great director Jonathan Demme, we bring what would be his final film, JUSTIN TIMBERLAKE + THE TENNESSEE KIDS, into the mix, to see what connects it to the director’s first foray into the concert-film genr...Show More

40:55 | May 16th, 2017

We’re still mourning the recent death of Jonathan Demme, a director of incredible range capable of working across many different genres — most notably, for our purposes, the concert film. This week, we hold our lighters aloft for Demme by looking at ...Show More

53:09 | May 4th, 2017

There’s a lot more connecting Les Blank's BURDEN OF DREAMS with James Gray’s new THE LOST CITY OF Z than the jungle setting, though that of course factors into our discussion of the two films. In this half, we share our reactions to Gray’s stately ne...Show More

50:55 | May 2nd, 2017

James Gray’s new jungle adventure THE LOST CITY OF Z inspired us to take another trip to the Amazon via Les Blank’s BURDEN OF DREAMS, the 1982 documentary chronicling the notoriously difficult filming of Werner Herzog’s Amazonian epic FITZCARRALDO. I...Show More

1:02:12 | Apr 20th, 2017

In this half of our discussion of the “weird conceptual sandwich” that is THE MATRIX and GHOST IN THE SHELL, we puzzle over why the latter hyper-stylish, cerebral film fails where the former succeeds. The two films ultimately have different aims, but...Show More

59:12 | Apr 18th, 2017

The poorly received new live-action GHOST IN THE SHELL draws inspiration from a lot of different sources — including one that was itself inspired by the original GHOST IN THE SHELL anime: The Wachowskis’ 1999 future-thriller THE MATRIX, which turns o...Show More

57:13 | Apr 6th, 2017

It’s perhaps unfair to compare the uninspiring new LIFE with the genre-defining ALIEN, but we do it anyway in this half of our discussion of how the Ridley Scott classic (and GRAVITY) informed Daniel Espinosa’s halfhearted homage. After wrestling wit...Show More

51:20 | Apr 4th, 2017

The new LIFE has come in for some pointed comparisons to Ridley Scott’s ALIEN, which seems like as good an excuse as any to revisit the unimpeachable 1979 space thriller. In this half of the conversation, we marvel at how a film so narratively econom...Show More

1:01:28 | Mar 23rd, 2017

We return to Skull Island to puzzle over the stylish curiosity that is Jordan Vogt-Roberts’s new take on the classic film monster, KONG: SKULL ISLAND. Why is this movie aping APOCALYPSE NOW? Have we reached our limit of giant CGI creatures pummeling ...Show More

56:15 | Mar 21st, 2017

Does every generation get the Kong it deserves? That’s the question on our minds with the release of Jordan Vogt-Roberts’ new take on the great ape, KONG: SKULL ISLAND, which inspired us to go all the way back to the source: 1933’s medium-defining KI...Show More

1:02:48 | Mar 9th, 2017

Jordan Peele’s writing-directing debut GET OUT translates the satirical horror of Wes Craven’s THE PEOPLE UNDER THE STAIRS from the Reagan era to the Obama era, to very different — and highly entertaining — effect. In this half of our discussion of t...Show More

52:45 | Mar 7th, 2017

Inspired by Jordan Peele’s excellent new writing-directing debut GET OUT, we’re looking at another horror film that openly addresses race, inequality, and its era: the 1991 Wes Craven oddity THE PEOPLE UNDER THE STAIRS. In this half, we debate how th...Show More

1:00:04 | Feb 23rd, 2017

Tim Burton’s BATMAN kick-started the cinematic and pop-culture proliferation of the now-ubiquitous Batman, who today can not only sustain multiple movies at once, but also provides ample fodder for the reference-happy new THE LEGO BATMAN MOVIE. In th...Show More

52:24 | Feb 21st, 2017

This week’s show tells a tale of two Batmen — plus a whole bunch of other Batmen in between. The success of the new family-friendly LEGO BATMAN MOVIE inspired us to go back to a very different earlier iteration of The Caped Crusader: Tim Burton’s 198...Show More

57:25 | Feb 9th, 2017

We turn our attention now to Josh Kriegman and Elyse Steinberg's cringe-inducing 2016 behind-the-scenes campaign documentary WEINER, which plays in many ways like a natural extension of 1993’s THE WAR ROOM. After discussing how WEINER plays today — a...Show More

52:55 | Feb 7th, 2017

This week’s pairing tracks the rise and fall of Clintonism in America via two behind-the-scenes documentaries following dramatic Democratic campaigns: 1993’s THE WAR ROOM and 2016’s WEINER. In this deep-dive discussion of the earlier film, we talk ov...Show More

52:07 | Jan 24th, 2017

In lieu of our regularly scheduled episode — postponed two weeks due to the collision of illness and the Sundance Film Festival — we bring you a recording of our recent live episode, recorded at the Chicago Podcast Festival in November 2016. Inspired...Show More

1:04:06 | Jan 12th, 2017

Jim Jarmusch’s new PATERSON is one of 2016’s best films, and plays like a natural mirror to his breakthrough, STRANGER THAN PARADISE. After waxing rhapsodic about PATERSON for a while, we talk about how the two movies are connected, through their obs...Show More

56:33 | Jan 10th, 2017

Inspired by Jim Jarmusch’s new PATERSON, we take a trip through Jarmuschland, way back to the director’s second and breakthrough feature, STRANGER THAN PARADISE. We talk over the ways in which STRANGER THAN PARADISE helped redefine American independe...Show More

54:20 | Dec 29th, 2016

Our melancholy-musical double feature heads from Cherbourg, France, to Los Angeles USA, to see how Damien Chazelle’s new “modern-throwback” musical LA LA LAND stacks up against Jacques Demy’s UMBRELLAS OF CHERBOURG. We talk over LA LA LAND’s nostalgi...Show More

49:56 | Dec 27th, 2016

Damian Chazelle’s new big-screen musical LA LA LAND takes its cues from various singing-and-dancing cinematic predecessors, but its melancholy tone is directly descended from Jacques Demy’s classic 1964 musical THE UMBRELLAS OF CHERBOURG — a Next Pic...Show More

58:36 | Dec 15th, 2016

Disney Feature Animation had some ups and downs—both artistic and commercial—in the years between MULAN and MOANA, and we chart them in the second half of our comparison of the two films. After taking a moment for a big collective squee over the grea...Show More

58:08 | Dec 13th, 2016

MOANA is a successful new entry in Disney Feature Animation’s ongoing experimentation with non-Western stories and non-white characters, an experiment that was still in its nascent stages around the time of 1998’s MULAN. Inspired by an ancient Chines...Show More

58:26 | Dec 1st, 2016

Our conversation about movies about talking to aliens moves to the present with Denis Villeneuve’s new ARRIVAL, which hits many of the same narrative points as CONTACT, but points them in a different emotional direction. We talk about our reactions t...Show More

45:00 | Nov 29th, 2016

This week, we look to the skies to consider two films about the difficulty of communication between worlds, and the inward journeys involved in looking to the stars. Inspired by Denis Villeneuve’s new ARRIVAL, we begin with an in-depth discussion of ...Show More

58:15 | Nov 24th, 2016

Our discussion of lyrical portraits of unrequited love turns its attention to Barry Jenkins’ MOONLIGHT, the look and feel of which—the final third in particular—recalls the bittersweet tone of Wong Kar-Wai’s IN THE MOOD FOR LOVE. We share our reactio...Show More

47:32 | Nov 22nd, 2016

Inspired by one of the year’s biggest indie sensations, Barry Jenkins’ MOONLIGHT, we’re looking at another highly romanticized tale of unrequited love: Wong Kar-wai’s beautiful 2000 film IN THE MOOD FOR LOVE. In this half, we talk about how affecting...Show More

18:14 | Nov 15th, 2016

This week’s regular episode has been postponed a week, but in the meantime, Tasha and Genevieve get together to chat a little about why we’re postponing, and how we’re collectively figuring out how to care about movies again when so much else is goin...Show More

1:11:20 | Nov 3rd, 2016

We return to the road in our two-part exploration of America and self, jumping to the current day with Andrea Arnold's sprawling, music-packed AMERICAN HONEY, a film with some of the same concerns as MY OWN PRIVATE IDAHO, but a much different stylist...Show More

47:57 | Nov 1st, 2016

This week, we’ve all come to look for America, and we’re looking for it in a pair of road movies about underprivileged outsiders and the dreams that keep them hustling from place to place. Inspired by Andrea Arnold's sprawling new AMERICAN HONEY, we ...Show More

1:02:24 | Oct 20th, 2016

We return to WESTWORLD in the second half of our double-feature, this time venturing into the wilds of television to discuss HBO's high-profile new series, which uses the concept of Michael Crichton's 1973 film as a jumping off point for a sprawling ...Show More

49:45 | Oct 18th, 2016

This week, we take two trips to Westworld—one via hovercraft, in Michael Crichton's 1973 film of the same name, and one via underground train, in the new HBO series that blows out the film's premise to a serialized-television scale. In this half we f...Show More

53:47 | Oct 6th, 2016

In this half, we look at a successor to WAIT UNTIL DARK that puts a very different sort of blind person in the middle of a home invasion: Fede Alvarez's recent horror-thriller DON'T BREATHE, which stars Stephen Lang as a blind ex-Marine who turns out...Show More

55:21 | Oct 4th, 2016

We return from hiatus with a much-requested pairing inspired by Fede Alvarez's new breakout horror hit, DON'T BREATHE, which reminded us, and our listeners, of a different cinematic take on the story of a blind person fending off a home invasion: Ter...Show More

57:34 | Sep 8th, 2016

We turn our discussion of puppet-driven fairy-tale adventure stories to Laika Studios' new stop-motion wonder, KUBO AND THE TWO STRINGS, to see how it extends THE DARK CRYSTAL's tradition of deep personal investment on the part of committed craftspeo...Show More

56:10 | Sep 6th, 2016

Inspired by the new Laika stop-motion marvel KUBO AND THE TWO STRINGS, we look back at another unconventional children's movie, made by unconventional creators pushing the envelop of their craft: Jim Henson's live-action puppet fantasy THE DARK CRYST...Show More

1:04:43 | Aug 25th, 2016

Continuing the legacy of Carroll Ballard's THE BLACK STALLION, David Lowery's new Disney live-action remake of PETE'S DRAGON treats kids' films, kid audiences, and the emotional lives of children with respect and intelligence. In this half of the dis...Show More

52:43 | Aug 23rd, 2016

The director of the new Disney live-action remake PETE’S DRAGON, David Lowery, recently cited as inspiration Carroll Ballard’s 1979 film THE BLACK STALLION, noting the older film’s careful merging of art and the mainstream. Following Lowery’s example...Show More

1:00:16 | Aug 11th, 2016

Our comparison of bad-guys-doing-good films continues with THE DIRTY DOZEN’s ultra-modern, ultra-messy progeny, the new DC Extended Universe entry SUICIDE SQUAD. We try to make sense of the many issues plaguing the newer film, and decipher how the tw...Show More

50:59 | Aug 9th, 2016

David Ayer has characterized his new entry in the DC Expanded Universe, SUICIDE SQUAD, as a modern take on Robert Aldrich's THE DIRTY DOZEN, a 1967 war/heist film that set the standard for movies about a band of criminals teaming up to take on a grea...Show More

1:03:58 | Jul 28th, 2016

Our GHOSTBUSTERS discussion turns its attention to Paul Feig's new remake, which was made with obvious affection for (and cameos from) the 1984 version, and replicates certain character types and plot points. But it also breaks from it in significant...Show More

53:24 | Jul 26th, 2016

This week, we ain’t afraid of no ghosts, but we’re a little freaked out by the politics of busting them. The strange controversy over Paul Feig's gender-reversed GHOSTBUSTERS has us looking back at the original 1984 GHOSTBUSTERS to see what about it ...Show More

52:18 | Jul 14th, 2016

We move our conversation of Dario Argento's 1977 film SUSPIRIA to Nicholas Winding Refn’s THE NEON DEMON, which works as a contemporary companion piece. In this half, we talk over the two films' respective uses of color, violence, and female competit...Show More

53:34 | Jul 12th, 2016

Nicholas Winding Refn’s new THE NEON DEMON inspired us to look back at another tale of female rivalry that plays out in lurid colors and more than a little violence: Dario Argento’s classic 1977 horror movie SUSPIRIA. In this half, we explore the spe...Show More

57:42 | Jun 30th, 2016

We dive into the murky waters of Andrew Stanton's new FINDING DORY to search for links between Pixar's latest and Christopher Nolan's mind-bending thriller MEMENTO. Turns out the two disparate films have more in common than even we thought, in their ...Show More

56:51 | Jun 28th, 2016

The conceit behind Pixar's new FINDING DORY, about Ellen Degeneres' forgetful fish character, inspired us to talk about a very different film about memory and the limits thereof: Christopher Nolan's breakthrough feature MEMENTO. In this half, we cons...Show More

1:05:21 | Jun 16th, 2016

Our look into the mockumentary's trajectory from THIS IS SPINAL TAP through the new POPSTAR: NEVER STOP NEVER STOPPING delves into the comedic complexities of The Lonely Island's supremely silly update of the Spinal Tap formula. In this half of the d...Show More

53:47 | Jun 14th, 2016

Inspired by the new Lonely Island feature mockumentary POPSTAR: NEVER STOP NEVER STOPPING, we look back at the grandaddy of mock-rock-docs: Rob Reiner's THIS IS SPINAL TAP, which helped set the template for modern comedy in more ways than one. In thi...Show More

1:04:29 | Jun 2nd, 2016

We bring our discussion of L.A. noir into the modern era by connecting L.A. CONFIDENTIAL with the slick new buddy action-comedy from Shane Black, THE NICE GUYS. The two films are playing on very different sandboxes, and decades, but we find connectiv...Show More

50:36 | May 31st, 2016

This week's pairing brings us into the twisted world of L.A. noir, courtesy of two period pieces that follow byzantine plots to the depths of human depravity. Inspired by Shane Black's new THE NICE GUYS, we're revisiting Curtis Hanson's L.A. CONFIDEN...Show More

1:06:52 | May 19th, 2016

We return again to the Marvel Cinematic Universe to see how the armor-plated seed planted in IRON MAN has blossomed into the sprawling new CAPTAIN AMERICA: CIVIL WAR. We discuss how the newer movie carries its added weight, and compare how the two fi...Show More

52:43 | May 17th, 2016

This week, The Next Picture Show is going full-on superhero. Inspired by the Marvel Cinematic Universe's latest offering, CAPTAIN AMERICA: CIVIL WAR, we look back at the movie that serves as the Big Bang for the MCU: 2008's IRON MAN. This half of the...Show More

55:37 | Apr 28th, 2016

In this half of our ASSAULT ON PRECINCT 13/GREEN ROOM discussion, we bring Jeremy Saulnier's chill-inducing new thriller into the picture, and consider the many ways in which it reflects John Carpenter's earlier work. The two films have a lot to say ...Show More

51:12 | Apr 26th, 2016

As John Carpenter fans, we were excited to see director Jeremy Saulnier citing Carpenter's ASSAULT ON PRECINCT 13 as a specific influence on his excellent new film GREEN ROOM. Watching the two movies together, it’s hard to miss the connections: Both ...Show More

55:57 | Apr 14th, 2016

Our CLOSE ENCOUNTERS/MIDNIGHT SPECIAL discussion turns toward the newer film, and the ways it reflects its Spielbergian inspiration – and the many more ways it diverts from the earlier film. We'll talk over how the two films explore spirituality and ...Show More

54:19 | Apr 12th, 2016

Director Jeff Nichols cited the 1977 Steven Spielberg classic CLOSE ENCOUNTERS OF THE THIRD KIND as one of his primary inspirations for the new MIDNIGHT SPECIAL. But while the two films work toward a similar ending, they don't necessarily work toward...Show More

1:03:58 | Mar 31st, 2016

Our PSYCHO/10 CLOVERFIELD LANE discussion brings the newer film into the picture, grappling with how the Dan Trachtenberg-directed/JJ Abrams-produced psuedo-sequel echoes Hitchcock's film both deliberately and accidentally. We'll talk over how the tw...Show More

54:17 | Mar 29th, 2016

Two women skip town in a hurry and find themselves in an isolated place, overseen by a gentle-toned but temperamental host: You might think us mad to compare PSYCHO and 10 CLOVERFIELD LANE, but we all go a little mad sometimes. There's more than just...Show More

57:37 | Mar 17th, 2016

Our MASH - WHISKEY TANGO FOXTROT discussion digs deeper into the two films' many contrasts, finding unexpected connections in the films' depictions of the military, women, and downtime. We also get into the two films' very different strains of black ...Show More

43:22 | Mar 15th, 2016

Attention. Attention: This week’s movie pairing looks at the communities that spring up in the middle of war, and the odd ways people try to push back against the insanity that surrounds them. Inspired by the new Tina Fey wartime dramedy WHISKEY TANG...Show More

54:13 | Mar 3rd, 2016

Our THE WICKER MAN - THE WITCH conversation goes deeper into the two films' shared qualities, including their portrayals of religion and women, and their canny use of (very different types of) music. We'll also get deeper into the question of "is it ...Show More

53:23 | Mar 1st, 2016

The buzzy new horror film THE WITCH inspired us to look at another period piece about good, evil, self-righteousness, and murder: Robin Hardy's 1973 cult classic THE WICKER MAN. (No, not the Nicolas Cage one - though it does come up.) In this half of...Show More

1:04:12 | Feb 18th, 2016

Our cinematic matchup of Coen brothers past and present continues as we dive deeper into the connections between 1991's BARTON FINK and the new HAIL, CAESAR! In this half of the discussion, we get into the films' shared lineage as "movies about movie...Show More

59:33 | Feb 16th, 2016

This week's pairing seems like an obvious one: Two Coen Brothers films about Hollywood, set at the same fictional studio, during roughly the same time period–what do you need, a roadmap? But Joel and Ethan Coen's 1991 breakout BARTON FINK has very di...Show More

50:51 | Feb 4th, 2016

The second half of our JOHN CARTER/THE MARTIAN comparison looks at the various ways Ridley Scott's film succeeded where Andrew Stanton's failed: its humor, its production design, its approach to adaptation, and its overall simplicity. Plus, Your Next...Show More

45:14 | Feb 2nd, 2016

This week, we look back to one of last year's biggest blockbusters — and an Oscar frontrunner — for inspiration, and turn up an interesting, misbegotten cinematic comparison point. Ridley Scott's THE MARTIAN is critically and commercially successful ...Show More

50:24 | Jan 21st, 2016

Our discussion of "old marrieds" past and present reveals that Andrew Haigh's new 45 YEARS covers a lot of the same ground as Mike Nichols' WHO'S AFRAID OF VIRGINIA WOOLF — it just does it a lot more quietly. We talk over how the two films relate and...Show More

47:33 | Jan 19th, 2016

The release of Andrew Haigh's beautiful 45 YEARS got us thinking about another film about the toxic dynamic between a long-married couple: Mike Nichols' 1966 film debut WHO'S AFRAID OF VIRGINIA WOOLF? In this half, we discuss how Nichols brought Edwa...Show More

1:10:12 | Jan 7th, 2016

Our conversation linking the very first STAR WARS film with the new sequel (or is it a reboot? a remake?) THE FORCE AWAKENS delves into the myriad ways the two films are connected, and how the cultural impact of A NEW HOPE plays out in the new film. ...Show More

53:20 | Jan 5th, 2016

J.J. Abrams' record-breaking smash THE FORCE AWAKENS consciously reaches back to the very first entry in the STAR WARS universe, 1977's A NEW HOPE, for inspiration, plot points and design — and offers us an opportunity to look back at how George Luca...Show More

50:46 | Dec 24th, 2015

Our conversation about the links between Werner Herzog's 1972 cult classic AGUIRRE, THE WRATH OF GOD and Alejandro González Iñárritu's new THE REVENANT delves into the way the two films handle the themes of imperialism and madness, and how each is in...Show More

38:51 | Dec 22nd, 2015

BIRDMAN director Alejandro González Iñárritu is back with THE REVENANT, a half-revenge thriller/half-survival adventure that recalls in many ways the work of cinema’s most intrepid adventurer, Werner Herzog – particularly AGUIRRE, THE WRATH OF GOD. I...Show More

55:02 | Dec 10th, 2015

Our conversation on Pixar's trajectory from 1995 to today delves into the company's most recent offering, discussing how THE GOOD DINOSAUR fits in with the rest of Pixar's output, including TOY STORY, as well as the modern computer-animated-feature l...Show More

45:12 | Dec 8th, 2015

The second Pixar film of 2015, THE GOOD DINOSAUR, inspires us to look back at the revered animation company's auspicious beginning: 1995's TOY STORY, the first computer-animated feature film. In the first half of this Pixar-spanning discussion, we di...Show More

47:54 | Nov 26th, 2015

Our conversation on the many connections between BATTLE ROYALE and THE HUNGER GAMES series continues with the Forum discussion focusing on the films' respective styles, their different approaches to violence and teen angst, and their influence on the...Show More

33:40 | Nov 24th, 2015

With the final installment of the blockbuster YA series THE HUNGER GAMES hitting theaters, we look back to the material many accused HUNGER GAMES author Suzanne Collins of ripping off: 2000's BATTLE ROYALE, a hyper-violent Japanese film adaptation of...Show More

46:30 | Nov 12th, 2015

The Next Picture Show's discussion of ALL THE PRESIDENT'S MEN and SPOTLIGHT continues with the group Forum discussion. In this half, Scott Tobias, Tasha Robinson and Keith Phipps talk about the films' respective approaches to journalism, the cities o...Show More

37:18 | Nov 10th, 2015

Welcome to The Next Picture Show, a movie of the week podcast devoted to a classic film that has shaped our take on a new release. With director Tom McCarthy's SPOTLIGHT getting lots of acclaim for its treatment of the Boston Globe's investigation in...Show More